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In Hollywood, being a talented writer is simply not enough. You also need the right strategies and tactics to sell film/TV projects, get hired, and build a long-term writing career.
The Core Truth About Screenwriting
There are screenwriters who make an excellent living, enjoy working with other cool, creative people, and are thrilled every time their ideas appear on screen.
Unfortunately, most writers waste years of time, squander valuable opportunities, and – to be blunt – never see a single dollar from screenwriting.
But when you know the truth – and stop believing the myths – your chances of success go way up.
Let’s Get You On The Right Track
You might be expecting me to put a totally positive spin on things.
But that won’t help you, and that’s not my style.
My mission is to tell you the truth about the screenwriting business and make it possible for anyone with talent and determination to succeed.
So, with respect, I’m going to explain the essential truths of the screenwriting business, both the good and the bad, so that you can decide for yourself if writing film/TV is right for you – or if your time is better spent doing something else.
Most of us have watched a movie or a TV show and thought, “I could write something that is so much better!”
However, it is harder than you may realize to actually write something that IS better AND get it in the hands of decision-makers who want to buy it.
But it can be done if you know how.
Yes… and no.
Screenwriting can absolutely be exciting, fun, and lucrative.
Hollywood can also be a disappointing, superficial, unfair business.
But if you feel the call to write film/TV, nothing else will do, and once you’ve reached a certain level of success, it can be very satisfying.
Hollywood is like a jungle inside of a maze.
Complex, dangerous, and with a lot of dead ends.
Other industries have their perils as well. However, there is often a predictable way to make progress from the bottom of the ladder to the top.
In Hollywood, people can make big lateral moves, leap over multiple steps, or even start near the top of the ladder.
And yet – there are strategic principles and tactics proven to work.
Screenwriting is a collaborative art, and writing is not your only job.
Yes, you need to be an expert with story DNA and story structure.
But you also need to be able to handle the social and political aspects of working on a team.
However, even if you are an introvert, once you learn how to handle the social politics, your creativity and talent can flourish.
To win at anything – whether it’s chess, football, or screenwriting, you need a plan of action that is proven to work.
Here’s what I mean:
- Do you have an overall career strategy?
- How about a strategy to meet VIPs and nurture those relationships?
- What’s your tactical approach to handling a pitch meeting?
It’s okay if you don’t know the answers to these questions.
I’m just trying to point out that being a good writer without a strategy to succeed is like having a car with a tank full of gas… and no steering wheel.
Absolutely not. You CAN do it.
So even if things have been hard for you, don’t give up.
There are more than 1400 primetime TV shows, 700 studio films, and thousands of independent films produced in the United States each year.
There’s the incredible work being done in the UK, Canada, Australia, New Zealand, Israel, Japan, China, Russia, India, and all around the world.
There’s the rapidly expanding marketplace of Netflix, Amazon, and the web. Netflix alone spent more $6 billion (yes with a “b”) on content in 2016.
If you can get the right material into the hands of the right people, they will be grateful to have the chance to work with you.
Hollywood professionals do – big time.
Executives, producers, directors, showrunners, agents, and managers are all looking for a hot new writer with exciting ideas.
If that sounds like you, and if you know how to navigate the “non-writing” aspects of the business, you absolutely can succeed in Hollywood.
Screenwriting Breakthrough Quiz
To become a successful writer for film and television, you have to deal with three possible obstacles that can prevent you from reaching the next level in your career.
And every writer tends to have a primary obstacle which is the #1 thing holding them back.
To find out your #1 Screenwriting Obstacle, take the quiz:Take the Breakthrough Quiz
Join The Community
The reason Good in a Room has thrived over the last 10 years (and counting) is YOU. I’ve built this website and stocked it full of carefully chosen resources to help you succeed.
I’d love to have you join me and of 50,000+ aspiring and professional film and TV writers.